Rodyti trumpą aprašą

dc.contributor.authorPavan, Luca
dc.date.accessioned2023-09-18T16:08:38Z
dc.date.available2023-09-18T16:08:38Z
dc.date.issued2020
dc.identifier.issn2382-6282
dc.identifier.urihttps://etalpykla.vilniustech.lt/handle/123456789/111740
dc.description.abstractThe article analyzes several Italian opera librettos spanning various eras of opera’s history. The librettos are divided in subgroups having in common the similar plot. The language of librettos is analyzed searching for common verses or parts of verses. The analysis is carried out using a software tool which compares two texts. It is showed that the librettos with the similar plot often have some similar verses or parts of verses. According to the results of the analysis it is possible to assume that the librettists, especially in the XVII and XVIII centuries, used previous librettos with the similar plot not only as a source of ideas for their work, but also as a model of poetical style. The author assumes that this tendency also had economic reasons, being the opera a huge business in all Italian states and abroad. The use of older librettos with similar plot as a model to write the new librettos started to disappear in the second half of the XIX century. One of the reasons for this can be the changes of librettos’ language. With the new Italian language, which was partly different from the previous Florentine vernacular language, the oldest librettos could hardly be taken in consideration as a model of poetry. Towards the end of XIX century the new copyright laws in Europe contributed to put end to the practice described in the article. Finally, the adoption of repertoires by the theatres caused the decrease of new operas’ request, contributing to stop such a practice.eng
dc.formatPDF
dc.format.extentp. 76-80
dc.format.mediumtekstas / txt
dc.language.isoeng
dc.rightsLaisvai prieinamas internete
dc.source.urihttp://www.ijlll.org/vol6/254-IJLLL-580.pdf
dc.source.urihttps://talpykla.elaba.lt/elaba-fedora/objects/elaba:104716981/datastreams/MAIN/content
dc.titleItalian opera librettos with similar plot: Plagiarism or established practice?
dc.typeStraipsnis kitame recenzuotame leidinyje / Article in other peer-reviewed source
dcterms.accessRightsThis is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).
dcterms.licenseCreative Commons – Attribution – 4.0 International
dcterms.references17
dc.type.pubtypeS4 - Straipsnis kitame recenzuotame leidinyje / Article in other peer-reviewed publication
dc.contributor.institutionVilniaus universitetas Vilniaus Gedimino technikos universitetas
dc.contributor.facultyKūrybinių industrijų fakultetas / Faculty of Creative Industries
dc.contributor.departmentProfesinės kalbos studijų centras / Professional Language Studies Centre
dc.subject.researchfieldH 004 - Filologija / Philology
dc.subject.studydirectionN07 - Kalbos studijos / Language studies
dc.subject.vgtuprioritizedfieldsEV04 - Komunikacijos valdymas įtraukioje ir kūrybingoje visuomenėje / Communication management in inclusive and creative society
dc.subject.ltspecializationsL103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society
dc.subject.enItalian opera librettos
dc.subject.enopera plot
dc.subject.enplagiarism
dcterms.sourcetitleInternational journal of languages, literature and linguistics
dc.description.issueno. 2
dc.description.volumevol. 6
dc.publisher.nameIJLLL
dc.publisher.citySingapore
dc.identifier.doi10.18178/ijlll.2020.6.2.254
dc.identifier.elaba104716981


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