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dc.contributor.authorPavan, Luca
dc.date.accessioned2023-09-18T16:08:39Z
dc.date.available2023-09-18T16:08:39Z
dc.date.issued2020
dc.identifier.issn2708-0099
dc.identifier.urihttps://etalpykla.vilniustech.lt/handle/123456789/111743
dc.description.abstractThe purpose of this article is to find out which are the most typical words used in Italian opera librettos in each of historical periods of opera and to see the evolution of their use. A word which statistically occurs in a corpus of texts more often thanexpected is called a keyword. The article shows a new approach in diachronic linguistics, proposing a different examination of keywords found with the Log-Likelihood method in a corpus of Italian opera’s librettos. To get the keywords, the libretto’s corpus was compared with a reference corpus which includes the most representative works of Italian literature. Later the librettos’ corpus was divided diachronically in 5 sub-corpora according to some historical periods. A new analysis of these sub-corpora was performed using a software tool written by the author called CorpStat. It allows to analyze the evolution in the use of lexicon of opera’s librettos. Often the Log-Likelihood statistical method was criticized mainly because some words qualifies as keywords, even if they appear only in one or very few texts. With the software CorpStat it was possible to validate words as real keywords taking into consideration the percentage of number of texts in which they appear. The analysis brings to the conclusion that only 41 keywords out of a list of first 200 keywords could be validated as real keywords. However, the diachronic analysis shows that a word is a real keyword only in a certain historical period, but not necessarily in another. This can be due to the changes of libretto’s plots and language along the history.eng
dc.formatPDF
dc.format.extentp. 26-32
dc.format.mediumtekstas / txt
dc.language.isoeng
dc.relation.isreferencedbyDimensions
dc.relation.isreferencedbyJ-Gate
dc.relation.isreferencedbyLinguistic Bibliography
dc.relation.isreferencedbyMLA: International Bibliography
dc.relation.isreferencedbyScilit
dc.rightsLaisvai prieinamas internete
dc.source.urihttps://al-kindipublisher.com/index.php/ijllt/article/view/404/377
dc.source.urihttps://talpykla.elaba.lt/elaba-fedora/objects/elaba:104717985/datastreams/MAIN/content
dc.titleDiachronic analysis of Italian opera librettos
dc.typeStraipsnis kitoje DB / Article in other DB
dcterms.accessRightsThis is an open access article under CC BY license (https://creativecommons.org/licenses/by/4.0/)
dcterms.licenseCreative Commons – Attribution – 4.0 International
dcterms.references15
dc.type.pubtypeS3 - Straipsnis kitoje DB / Article in other DB
dc.contributor.institutionVilniaus universitetas Vilniaus Gedimino technikos universitetas
dc.contributor.facultyKūrybinių industrijų fakultetas / Faculty of Creative Industries
dc.contributor.departmentProfesinės kalbos studijų centras / Professional Language Studies Centre
dc.subject.researchfieldH 004 - Filologija / Philology
dc.subject.studydirectionN07 - Kalbos studijos / Language studies
dc.subject.vgtuprioritizedfieldsEV04 - Komunikacijos valdymas įtraukioje ir kūrybingoje visuomenėje / Communication management in inclusive and creative society
dc.subject.ltspecializationsL103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society
dc.subject.endiachronic linguistics
dc.subject.ensub-corpora
dc.subject.enkeywords
dc.subject.enopera librettos
dcterms.sourcetitleInternational journal of linguistics, literature and translation
dc.description.issueiss. 4
dc.description.volumevol. 3
dc.publisher.nameAl-Kindi Center for Research and Development
dc.publisher.cityLondon
dc.identifier.doi10.32996/ijllt.2020.3.4.3
dc.identifier.elaba104717985


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