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dc.contributor.authorStankevičiūtė, Kristina
dc.date.accessioned2023-09-18T16:09:43Z
dc.date.available2023-09-18T16:09:43Z
dc.date.issued2021
dc.identifier.issn2345-0479
dc.identifier.other(SCOPUS_ID)85116791244
dc.identifier.urihttps://etalpykla.vilniustech.lt/handle/123456789/111964
dc.description.abstractThe world of fashion has lived in a bubble long before the concept found its way into social networks. Well before the social networks themselves, in fact. The very emergence of fashion as an idea occurred within the bubble of the social life at Palace of Versailles, France, where the notorious Louis XIV sported great interest in the looks of his court in addition to those of his own. The article is an outsider’s attempt to have a sober look at the fashion industry that until recently seemed to have maintained the “structure of feeling” of the 17th century Palace of Versailles. Today’s social realities, however, put fashion in the state of a shock that probably equals that of the Storming of the Bastille in 1789, even though it is presumably much less sudden. Written in the manner of the most popular contemporary fashion media format – a bullet list, the text presents a conceptual analysis of the world’s second most wasteful yet poisonously attractive industry, critically reflecting on such characteristic values of the fashion field as concept and features, hierarchy, arrogance, resources and philosophy.eng
dc.formatPDF
dc.format.extentp. 376-390
dc.format.mediumtekstas / txt
dc.language.isoeng
dc.relation.isreferencedbyScopus
dc.relation.isreferencedbyDOAJ
dc.source.urihttps://doi.org/10.3846/cs.2021.15096
dc.titleBlowing up the fashion bubble, or nine things wrong with fashion: An outsider’s comment. a critical essay on fashion as a creative industry
dc.typeStraipsnis Scopus DB / Article in Scopus DB
dcterms.accessRightsThis is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
dcterms.licenseCreative Commons – Attribution – 4.0 International
dcterms.references45
dc.type.pubtypeS2 - Straipsnis Scopus DB / Scopus DB article
dc.contributor.institutionVilniaus Gedimino technikos universitetas
dc.contributor.facultyKūrybinių industrijų fakultetas / Faculty of Creative Industries
dc.subject.researchfieldS 008 - Komunikacija ir informacija / Communication and information
dc.subject.vgtuprioritizedfieldsIK05 - Virtuali ir pridėtinė realybė / Virtual and augmented reality
dc.subject.ltspecializationsL103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society
dc.subject.enfashion bubble
dc.subject.enfashion commentary
dc.subject.enfashion concept
dc.subject.enfashion industry
dc.subject.enrewiring fashion
dcterms.sourcetitleCreativity studies
dc.description.issueiss. 2
dc.description.volumevol. 14
dc.publisher.nameVilnius Gediminas Technical University
dc.publisher.cityVilnius
dc.identifier.doi2-s2.0-85116791244
dc.identifier.doi85116791244
dc.identifier.doi1
dc.identifier.doi10.3846/cs.2021.15096
dc.identifier.elaba109000748


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