dc.contributor.author | Gabrėnas, Arnoldas | |
dc.date.accessioned | 2023-09-18T16:11:16Z | |
dc.date.available | 2023-09-18T16:11:16Z | |
dc.date.issued | 2022 | |
dc.identifier.uri | https://etalpykla.vilniustech.lt/handle/123456789/112203 | |
dc.description.abstract | World regional architectural concepts significantly influenced and continue to affect the development of wood architecture in Lithuania. Such architectural ideas encourage more meaningful quality in attractive and well thought-out architectural design. The impact of such thinking can be seen in the architectural practice in Lithuania from the beginning of the twentieth century. During the Soviet occupation such regionalism also influenced in a significant manner the uninterrupted development of wood architecture. In Lithuania, the regionally-generated design ideas were directly related to the use of wood in architecture and to the search for new architectural expression using wood and harmonizing it with native ethnographic traits and attributes. Contemporary wooden structures in Lithuania relate to the concepts of international realism in several ways: a) the expression of architectural distinction and uniqueness, using national cultural characteristics; b) the use of traditional local features in buildings which were designed and built abroad; c) the use of architectural motifs from abroad in local design; d) the harmonious synchronization of architecture with the local context, in that way countering overly modernistic architectural tendencies; d) the “spirit of site” ‒ genius loci ‒ tendencies, i.e., the codification of architectural metaphors; f) the inclusion of the potential occupants of buildings in the creative process; g) the adaptation of simple, everyday objects in architecture. | eng |
dc.format.extent | p. 79-92 | |
dc.format.medium | tekstas / txt | |
dc.language.iso | eng | |
dc.source.uri | https://www.cambridgescholars.com/product/978-1-5275-7588-2 | |
dc.title | The development of regional concepts of wood architecture in Lithuania | |
dc.type | Monografijos dalis / A part of monograph | |
dcterms.accessRights | No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. | |
dcterms.references | 16 | |
dc.type.pubtype | Y1 - Monografijos dalis / A part of monograph | |
dc.contributor.institution | Vilniaus Gedimino technikos universitetas | |
dc.contributor.faculty | Architektūros fakultetas / Faculty of Architecture | |
dc.subject.researchfield | V 001 - Architektūra / Architecture | |
dc.subject.researchfield | H 003 - Menotyra / Art studies | |
dc.subject.studydirection | P09 - Architektūra / Architecture | |
dc.subject.studydirection | N15 - Menotyra / History and theory of arts | |
dc.subject.vgtuprioritizedfields | SD0303 - Architektūra ir urbanistinė aplinka / Architecture and Built Environment | |
dc.subject.ltspecializations | L103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society | |
dc.subject.en | wood | |
dc.subject.en | architecture | |
dc.subject.en | concepts | |
dcterms.sourcetitle | Site, symbol and cultural landscape | |
dc.publisher.name | Cambridge Scholars Publishing | |
dc.publisher.city | Newcastle upon Tyne | |
dc.identifier.elaba | 112948867 | |