dc.contributor.author | Stankevičiūtė, Kristina | |
dc.date.accessioned | 2023-09-18T16:12:05Z | |
dc.date.available | 2023-09-18T16:12:05Z | |
dc.date.issued | 2021 | |
dc.identifier.issn | 0868-7692 | |
dc.identifier.other | (SCOPUS_ID)85121231489 | |
dc.identifier.uri | https://etalpykla.vilniustech.lt/handle/123456789/112301 | |
dc.description.abstract | Straipsnyje siekiama išskirti vizualaus humoro žanrų ribas, naudojantis schema, sukurta Kreuzo ir Roberts ironijos skirtumams literatūriniuose žanruose apibrėžti (1993). Analizė grindžiama mados memais, sukurtais lietuviškų socialinių tinklų personažo, produktyvaus mados memų kūrėjo Rožinio pudelio. Analizuojant Rožinio pudelio memų vizualiuosius ir verbalinius elementus tekste dekonstruojamas mados memo kuriamas pokšto mechanizmas. Tokiu būdu siekiama suprasti mados memo humoro atsiradimo procesą bei vizualiuoju aspektu apibrėžti skirtumus tarp ironijos, parodijos, satyros bei sarkazmo mados memuose | lit |
dc.description.abstract | The aim of the article is to disentangle the mix of humour genres in the visual domain by following the scheme of Kreuz and Roberts which was produced for literary genres of irony such as satire, sarcasm, and parody (1993). The analysis is based on fashion memes created by the Pink Poodle, an imaginary persona operating in Lithuanian social networks and a prolific producer of original fashion memes. The article reviews Pink Poodle memes, deconstructing the scheme of 'joke' production. Analysing visual and verbal elements of Poodle's memes, the author is looking into the mechanics of humour as it occurs in a fashion meme and examining the differences among irony, parody, sarcasm and satire in the visual domain of memes. | eng |
dc.format | PDF | |
dc.format.extent | p. 151-165 | |
dc.format.medium | tekstas / txt | |
dc.language.iso | eng | |
dc.relation.isreferencedby | Arts & Humanities Citation Index (Web of Science) | |
dc.relation.isreferencedby | Scopus | |
dc.relation.isreferencedby | The Philosopher's Index | |
dc.relation.isreferencedby | CEEOL – Central and Eastern European Online Library | |
dc.rights | Laisvai prieinamas internete | |
dc.source.uri | http://www.litlogos.eu/L108/Logos_108_151_165_Stankeviciute.pdf | |
dc.source.uri | https://talpykla.elaba.lt/elaba-fedora/objects/elaba:114956267/datastreams/MAIN/content | |
dc.title | Vizualinės ironijos žanrai memuose: dekonstruojant Rožinio pudelio mados memus | |
dc.title.alternative | Memetic genres of visual irony: Deconstructing the Pink Poodle fashion memes | |
dc.type | Straipsnis Web of Science DB / Article in Web of Science DB | |
dcterms.accessRights | This is an Open Access article distributed under the terms of the Creative Commons Attribution Licence, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. | |
dcterms.references | 13 | |
dc.type.pubtype | S1 - Straipsnis Web of Science DB / Web of Science DB article | |
dc.contributor.institution | Vilniaus Gedimino technikos universitetas | |
dc.contributor.faculty | Kūrybinių industrijų fakultetas / Faculty of Creative Industries | |
dc.subject.researchfield | S 008 - Komunikacija ir informacija / Communication and information | |
dc.subject.vgtuprioritizedfields | IK05 - Virtuali ir pridėtinė realybė / Virtual and augmented reality | |
dc.subject.ltspecializations | L103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society | |
dc.subject.lt | mados memai | |
dc.subject.lt | Rožinio pudelio memai | |
dc.subject.lt | vizualinė ironija | |
dc.subject.lt | Rožinis pudelis | |
dc.subject.en | fashion memes | |
dc.subject.en | Pink Poodle memes | |
dc.subject.en | visual irony | |
dc.subject.en | Pink Poodle | |
dcterms.sourcetitle | Logos | |
dc.description.issue | Nr. 108 | |
dc.publisher.name | VO "Logos" | |
dc.publisher.city | Vilnius | |
dc.identifier.doi | 2-s2.0-85121231489 | |
dc.identifier.doi | 85121231489 | |
dc.identifier.doi | 1 | |
dc.identifier.doi | 132456844 | |
dc.identifier.doi | 000738078400017 | |
dc.identifier.doi | 10.24101/LOGOS.2021.64 | |
dc.identifier.elaba | 114956267 | |