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dc.contributor.authorDynel, Marta Joanna
dc.date.accessioned2023-09-18T16:25:46Z
dc.date.available2023-09-18T16:25:46Z
dc.date.issued2022
dc.identifier.issn2056-3051
dc.identifier.other(crossref_id)142955261
dc.identifier.urihttps://etalpykla.vilniustech.lt/handle/123456789/113840
dc.description.abstractThis article reports the findings of a diachronic sociopragmatic study on the politically loaded Italian hashtag #HaStatoPutin based on an automatically generated corpus of tweets ( N = 31,334), encompassing two datasets from before and after what Putin originally called Russia’s “special military operation” in Ukraine that commenced on 24 February 2022. #HaStatoPutin appeared on Twitter in 2015 to mark tweets criticizing what Italian users considered to be unsupported conspiracy theories targeting Vladimir Putin, viewed by these users as a scapegoat in mainstream political rhetoric spread in the Western world. As this comparative study shows, the emergent applications of the hashtag are hardly affected by the events of 2022, indicating the stability of the expression and the political opinions of polarized Italian society, regardless of the socio-political context. Specifically, four tweet categories, which express tweeters’ political opinions or serve humorous purposes, are identified in both datasets: dissociative echo, counter-criticism, mock conspiracy theories, and metacomments. Given the specificity of #HaStatoPutin, its political contextualization, and applications, with which the users need to be familiar to create and understand tagged tweets, it is proposed that the tweeting practice makes for a “hashtag affinity space” on Twitter.eng
dc.formatPDF
dc.format.extentp. 323-338
dc.format.mediumtekstas / txt
dc.language.isoeng
dc.relation.isreferencedbySocial Sciences Citation Index (Web of Science)
dc.relation.isreferencedbyScopus
dc.relation.isreferencedbyDOAJ
dc.source.urihttps://journals.sagepub.com/doi/epub/10.1177/20563051221138760
dc.title#HaStatoPutin affinity space: from political work to autotelic humor
dc.typeStraipsnis Web of Science DB / Article in Web of Science DB
dcterms.accessRightsThis article is distributed under the terms of the Creative Commons ttributionNonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage)
dcterms.licenseCreative Commons – Attribution – NonCommercial – 4.0 International
dcterms.references40
dc.type.pubtypeS1 - Straipsnis Web of Science DB / Web of Science DB article
dc.contributor.institutionVilniaus Gedimino technikos universitetas
dc.contributor.facultyKūrybinių industrijų fakultetas / Faculty of Creative Industries
dc.subject.researchfieldS 008 - Komunikacija ir informacija / Communication and information
dc.subject.vgtuprioritizedfieldsEV04 - Komunikacijos valdymas įtraukioje ir kūrybingoje visuomenėje / Communication management in inclusive and creative society
dc.subject.ltspecializationsL103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society
dc.subject.enaffinity space
dc.subject.enconspiracy theory
dc.subject.enhashtag
dc.subject.enhumor
dc.subject.entweet
dcterms.sourcetitleSocial Media + Society
dc.description.issueiss. 4
dc.description.volumevol. 8
dc.publisher.nameSAGE
dc.publisher.cityLondon
dc.identifier.doi142955261
dc.identifier.doi2-s2.0-85143348142
dc.identifier.doi85143348142
dc.identifier.doi1
dc.identifier.doi000927942600001
dc.identifier.doi10.1177/20563051221138760
dc.identifier.elaba149200201


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