Mirties instinktas ir būtis myriop kūrybos visuomenėje

Abstract

The paper deals with the topics of death drive (Todestrieb) of Freud and of being towards death (Sein zum Tode) of Heidegger in the context of creative society. The theses have been developed as following. 1. The mortality of an author is an aspect of his (her) vitality. 2. The social environment to be changed is the factor of mortality. 3. The deletion of death issue from the agenda of culture is ruinous for very culture. 4. The death of a creative worker contributes to the spread of his (her) works in paradoxical way. 5. Media both arises a creative worker and “mortifies“ him (her). 6. In the creative society, a self-murderer have been treated both as the author of an extreme self-expression (self-creation) and as a creative worker frustrated by the deficit of creativity. 7. Creativity towards death is not suicidal, on the contrary, it is the prophylaxis of suicide. 8. Creative ecology appeals to the mortifying of closest environment in order to extent the limits of that environment. 9. Although creativity has been related with throbbing life and with abandoned vitality it is inseparable from death drive that bursts during a war. 10. In creative society, we face certain dialectics of death drive and of immortality policy. 11. Dying or movement towards death is necessary condition of creative identity.