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dc.contributor.authorDynel, Marta Joanna
dc.date.accessioned2023-09-18T20:34:45Z
dc.date.available2023-09-18T20:34:45Z
dc.date.issued2021
dc.identifier.issn0957-9265
dc.identifier.other(SCOPUS_ID)85095952382
dc.identifier.urihttps://etalpykla.vilniustech.lt/handle/123456789/151035
dc.description.abstractAdvancing the concept of multimodal voicing as a tool for describing user-generated online humour, this paper reports a study on humorous COVID-19 mask memes. The corpus is drawn from four popular social media platforms and examined through a multimodal discourse analytic lens. The dominant memetic trends are elucidated and shown to rely programmatically on nested (multimodal) voices, whether compatible or divergent, as is the case with the dissociative echoing of individuals wearing peculiar masks or the dissociative parodic echoing of their collective voice. The theoretical thrust of this analysis is that, as some memes are (re)posted across social media (sometimes going viral), the previous voice(s) – of the meme subject/author/poster – can be re-purposed (e.g. ridiculed) or unwittingly distorted. Overall, this investigation offers new theoretical and methodological implications for the study of memes: it indicates the usefulness of the notions of multimodal voicing, intertextuality and echoing as research apparatus; and it brings to light the epistemological ambiguity in lay and academic understandings of memes, the voices behind which cannot always be categorically known.eng
dc.formatPDF
dc.format.extentp. 175-195
dc.format.mediumtekstas / txt
dc.language.isoeng
dc.relation.isreferencedbyScopus
dc.relation.isreferencedbySocial Sciences Citation Index (Web of Science)
dc.source.urihttps://journals.sagepub.com/doi/pdf/10.1177/0957926520970385
dc.source.urihttps://doi.org/10.1177/0957926520970385
dc.titleCOVID-19 memes going viral: On the multiple multimodal voices behind face masks
dc.typeStraipsnis Web of Science DB / Article in Web of Science DB
dcterms.accessRightsThis article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages
dcterms.licenseCreative Commons – Attribution – 4.0 International
dcterms.references56
dc.type.pubtypeS1 - Straipsnis Web of Science DB / Web of Science DB article
dc.contributor.institutionUniversity of Łódź Vilniaus Gedimino technikos universitetas
dc.contributor.facultyKūrybinių industrijų fakultetas / Faculty of Creative Industries
dc.subject.researchfieldS 008 - Komunikacija ir informacija / Communication and information
dc.subject.vgtuprioritizedfieldsEV04 - Komunikacijos valdymas įtraukioje ir kūrybingoje visuomenėje / Communication management in inclusive and creative society
dc.subject.ltspecializationsL103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society
dc.subject.enecho
dc.subject.enepistemological ambiguity
dc.subject.enintertextuality
dc.subject.enmeme
dc.subject.enmultimodal humour online
dc.subject.enparody
dc.subject.enparticipant role
dc.subject.enplayful trolling
dc.subject.envirality
dc.subject.envoice
dcterms.sourcetitleDiscourse and society
dc.description.issueiss. 2
dc.description.volumevol. 32
dc.publisher.nameSAGE
dc.publisher.cityLondon
dc.identifier.doi2-s2.0-85095952382
dc.identifier.doi85095952382
dc.identifier.doi0
dc.identifier.doi000599587000001
dc.identifier.doi10.1177/0957926520970385
dc.identifier.elaba75503098


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