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dc.contributor.authorPetrikienė, Asta,
dc.date.accessioned2023-12-22T07:05:48Z
dc.date.available2023-12-22T07:05:48Z
dc.date.issued2023.
dc.identifier.issn2345-0479
dc.identifier.other(crossref_id)152700087
dc.identifier.urihttps://etalpykla.vilniustech.lt/xmlui/handle/123456789/153534
dc.description.abstractThe unprecedented circumstances created by the COVID-19 pandemic significantly changed the usual processes of work throughout the creative industries. In case of theatre, the companies could no longer perform in the usual facilities and rehearsals were restricted. Theatre artists reacted differently to the new conditions dictated by the COVID-19 pandemic. Facing restrictions of working in contact mode some sought ways to adapt and not only create but also present performances to audiences online, others chose to deny the forms of mediatized theatre, as if waiting for the times to change. The aim of this article is to review the dynamics of theatre attendance in Lithuania in the 2018–2020 period. Data from yearly reports of state funded theatres reveal how many viewers visited Lithuanian theatres physically and how many performances were watched online. The analysis of this data provides an insight into the changes in the number of viewers compared to the pre-COVID-19-pandemic years and answers the question of whether performances on Internet platforms attracted a significant number of online audiences. The results of the analysis are indicative of the sustainability of the demand for views of performances online.eng
dc.formatPDF
dc.format.extentp. 529-540.
dc.format.mediumtekstas / txt
dc.language.isoeng
dc.relation.isreferencedbyScopus
dc.relation.isreferencedbyDOAJ
dc.relation.isreferencedbyDimensions
dc.relation.isreferencedbyProQuest Central
dc.relation.isreferencedbyGale's Academic OneFile
dc.relation.isreferencedbyAcademic Search Complete
dc.source.urihttps://journals.vilniustech.lt/index.php/CS/article/view/19042/11867
dc.titleLithuanian theatres during the COVID-19 pandemic: an eagerness to create and to watch /
dc.typeStraipsnis Scopus DB / Article in Scopus DB
dcterms.accessRightsThis is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
dcterms.licenseCreative Commons – Attribution – 4.0 International
dcterms.references34
dc.type.pubtypeS2 - Straipsnis Scopus DB / Scopus DB article
dc.contributor.institutionVilniaus Gedimino technikos universitetas Lietuvos kultūros tyrimų institutas
dc.contributor.facultyKūrybinių industrijų fakultetas / Faculty of Creative Industries
dc.subject.researchfieldS 008 - Komunikacija ir informacija / Communication and information
dc.subject.researchfieldH 003 - Menotyra / Art studies
dc.subject.researchfieldC 002 - Teatras ir kinas / Theater and film
dc.subject.vgtuprioritizedfieldsEV04 - Komunikacijos valdymas įtraukioje ir kūrybingoje visuomenėje / Communication management in inclusive and creative society
dc.subject.ltspecializationsL103 - Įtrauki ir kūrybinga visuomenė / Inclusive and creative society
dc.subject.encreating theatre during COVID-19 pandemic
dc.subject.endigital theatre
dc.subject.enmediatized theatre
dc.subject.enstate theatres in Lithuania
dc.subject.entheatre on internet
dc.subject.entheatre on social media
dcterms.sourcetitleCreativity studies.
dc.description.issueiss. 2
dc.description.volumevol. 16
dc.publisher.nameVilnius Gediminas Technical university
dc.publisher.cityVilnius
dc.identifier.doi152700087
dc.identifier.doi2-s2.0-85172171616
dc.identifier.doi85172171616
dc.identifier.doi1
dc.identifier.doi10.3846/cs.2023.19042
dc.identifier.elaba175636931


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